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Garden & Gun Magazine – April/May 2023 Issue

garden & gun magazine

Garden & Gun magazine highlighted in their 2023 April/May issue Interwoven: The Art of Indigo and Silver, the collaborative exhibition that includes silversmith Kaminer Haislip and indigo textile artist Leigh Magar. The exhibition will be on display at Aiken Center for the Arts in historic downtown Aiken, South Carolina March 30-May 3, 2023. Visit Kaminer’s website Blog for details.

garden & gun magazine

garden & gun magazine aiken sc

Interwoven: The Art of Indigo and Silver Exhibition – Aiken, South Carolina

indigo and silver

Silver Nest Bowl by Kaminer Haislip and Boo Hag Blue Indigo Baskets by Leigh Magar
Photograph by Jack Alterman

Interwoven: The Art of Indigo and Silver

March 30, 2023 – May 3, 2023

Artworks by Kaminer Haislip and Leigh Magar

Aiken Center for the Arts
122 Laurens Street SW
Aiken, South Carolina

Interwoven: The Art of Indigo and Silver brought together three contemporary artists—a silversmith, textile designer, and photographer—and a curator in 2018 at City Gallery located in Charleston, SC. Curator Brandy Culp worked with Jack Alterman, Kaminer Haislip, and Leigh Magar to weave a story based on their artwork and the Lowcountry’s deep culture both past and present. Haislip and Magar are now bringing a second version of this exhibition to Aiken Center for the Arts situated in historic, downtown Aiken, SC.

This exhibition explores the intersection between the past and present while recognizing that ultimately contemporary art and craft must be rooted in its own time. Inextricably linked, indigo and silver are transformative as raw materials, imbued with symbolism that transcends time and cultures, and imbedded within the early cultural fabric of the Carolina Lowcountry. Although inspired by Charleston’s cultural heritage, each artist brings unique contemporary perspective and original artwork to the exhibition. Interwoven will include silver hollowware, flatware and jewelry, textile art, and artist renderings.

Kaminer Haislip is the only practicing silversmith in Charleston that continues to employ traditional metalworking techniques and tools that have been used for centuries. As a contemporary silversmith, she is inspired by as well as carrying forth the city’s long-standing silversmithing tradition—the silver and metals manufacturing trade was vital to Charleston’s economy from the eighteenth through the early-twentieth centuries. With a nod to the past, she is most inspired by today’s domestic rituals and enhancing daily life through the creation of functional handcrafted objects that are entirely contemporary in form.

Additionally, Haislip received an artist grant from the South Carolina Arts Commission for a film project about her silversmithing. A television screen in the gallery will have the videos playing for the visitors to view. In the films, Haislip demonstrates traditional silversmithing techniques, such as how to make a silver bowl and silver serving spoon, and discusses her work in detail. This engaging educational element will enhance the viewer’s experience of the exhibition and illustrate silversmithing in an exciting way.

Milliner turned textile artist, Leigh Magar has established a small-batch label that combines art, fashion, history, and performance. The “Seed to Stitch” project was inspired by her sea island home’s Indigo history; both rich and tangled. The story of a young girl; Eliza Lucas Pinckney who had the vision of planting indigo and with the work of the enslaved, it was made into a cash crop in South Carolina during the mid 1700s. She interweaves design and nature with her local garden where indigo is grown and then used to create one-of-a-kind collections. Her work includes hand-dyed and hand-stitched garments and goods, textile art, and installations. Magar is inspired by traditional and simple sewing techniques, such as quilt making, rag quilting, and hand sewn-textiles, which she interlaces with contemporary, non-traditional elements.

In addition, Haislip, and Magar will create a collaborative installation for the exhibition inspired by the silhouette and miniature—art forms with long-standing Lowcountry traditions. Providing a modern look at historically significant mediums, these artists are transforming materials important to Charleston’s cultural fabric into contemporary art and inspiring appreciation of waning craft traditions among future generations. Interwoven: The Art of Indigo and Silver will be a unique showing of silver and textile art as it relates the theme of indigo and silver.

Opening Reception – Thursday, March 30 from 6-8pm

Aiken Center for the Arts will host an opening reception for Interwoven: The Art of Indigo and Silver on Thursday, March 30 from 6-8pm. It will be a great opportunity for the public to meet the artists in person and talk to them in the gallery with their artworks.

Stories from the Big Chair – Friday, March 31 from 6-8pm

Friday, March 31 engage with the exhibition during a free wine reception from 6-6:30pm in the main gallery and the power and craft of storytelling beginning at 6:30pm in the upstairs Brown Pavilion. Limited seating for storytelling, reserve your chair for $10 on Aiken Center for the Arts’ website. Join the guest speakers as they share perspectives, build points of connection, and unearth the wisdom and inspiration amongst us. Exploring the meaning of “Interwoven” from their perspectives will be Kaminer Haislip, silversmith, Madame Magar, indigo artist, and Dr. Walter Curry, local author and a mystery speaker.

Artist Lectures – Saturday, April 1 from 1-3pm

Lectures by artist Leigh Magar of the textile design studio Madame Magar and silversmith Kaminer Haislip will take place in the upstairs Brown Pavilion on Saturday, April 1, 2023 from 1pm-3pm.

Kaminer Haislip will present a lecture on the history of colonial Charleston silversmithing and how it relates to her contemporary silver designs. She will describe her handcrafted process in which she uses tools and techniques employed by silversmiths for centuries. Nationally recognized for her metalwork, Kaminer is the only silversmith practicing in Charleston. Inspired by Charleston’s long-standing silversmithing tradition, she feels compelled to carry it forth.

Madame Magar will present a lecture about her work and indigo farm that is inspired by nature, art, and history. She will talk about the rich yet tangled South Carolina indigo history that inspired her “seed to stitch” design philosophy and Madame Magar Blue School. Leigh will discuss her thought provoking, out of the box, one of a kind collections that intertwine art installations and performance with her design studio and shop.

For additional information on the exhibition, events, and programs visit www.aikencenterforthearts.org.

 

South Carolina Arts Commission

This project is funded in part by the South Carolina Arts Commission which receives support from the National Endowment for the Arts.

This project is also funded in part by a generous award from the John and Susan Bennett Memorial Arts Fund of The Coastal Community Foundation of South Carolina.

Processional Torch Commission

processional torches brass silver walnut episcopal church custom design
Processional Torches by Kaminer Haislip in silver, brass, and
black walnut by Moran Woodworked Furniture
Photography by Jack Alterman

Processional Torch Commission

Kaminer Haislip designed and created this processional torch commission in collaboration with Michael James Moran and Celia Gibson of Moran Woodworked Furniture. A group of St. Thaddeus Episcopal Church patrons contacted Kaminer to commission these custom processional torches in memory of Bishop Daly Pope Garnett. Bishop was a dear friend to Kaminer and her brother Wylie’s lifelong best friend, so this project meant a lot and she was committed to making it exceptional. When the wood components were considered during the early design stages, Kaminer knew who to call to collaborate with on that crucial element. She had collaborated with Michael and Celia on numerous occasions before and knew they had an eye and mind for the aesthetic and technical challenges that lay ahead on this complex project.

silver and brass candleholder processional torch bespoke ecclesiastic commission
Silver and brass candleholder for processional torch by Kaminer Haislip
with black walnut stem by Moran Woodworked Furniture
Hand Engraving by Kristina McClure
Photography by Jack Alterman

The design for the custom processional torches began with looking at the church’s existing collection of ceremonial objects and torches, so the new, handcrafted torches would be unified in the environment. Measurements were taken of existing torches and Kaminer, Micheal, and Celia considered the ergonomics when finalizing the dimensions, since these torches were intended for the youth church members to carry. The silver and brass candleholder was inspired by a previous silver candlestick Kaminer had created, but reimagined with a smooth, round dish referencing angel wings. Due to the slight tilt in each silver dish, when the two are placed together (see first image above) they symbolize angel wings soaring high.

The brass cylinder of the candleholder was beautifully hand engraved by the talented Kristina McClure, who does all of Kaminer’s hand engraving. The inscription credits Bishop’s mother’s afternoon tea group as “The Teabags” for their generous donation of the processional torches to St. Thaddeus Episcopal Church.

processional torch candleholder hand engraved custom commission bespoke church design
Silver and brass candleholder for processional torch by Kaminer Haislip
with black walnut stem by Moran Woodworked Furniture
Hand Engraving by Kristina McClure
Photography by Jack Alterman

The black walnut too has special meaning and contributed immensely to this incredibly well thought out and meaningful project. Michael and Celia wrote:

“These pieces of Black Walnut came from one specific tree blown down by a storm on a friend’s cattle farm in Central Kentucky, close to where Michael grew up. We worked closely with Jim (the farmer) and his wife Deb to save as much of this tree and a handful of others trees befallen by similar circumstances. We spent seven days at the farm cutting/moving/milling trees into logs and then into boards. Next, we stacked all of the wood to dry for a year in a nearby barn then transferred to a kiln to finish drying. Each step of this long process we put our hands on every board, with care and concern for its well being and future. To date we’ve built many pieces from these trees that have found themselves all over the US, in homes, places of work, and now a place of worship.”

brass, silver, and black walnut base for processional torch
Brass and silver foot for processional torch by Kaminer Haislip
with black walnut base by Moran Woodworked Furniture
Photography by Jack Alterman

The base for each torch was created in brass, silver, and black walnut to harmonize with the torch design through the repetition of material and form. The hammering, raising, and forming of the heavy 10″ diameter brass dome was a physical and technical challenge for Kaminer, because brass is much harder than silver and not conducive to raising. She applied her traditional silversmithing training to it and was able to make not one, but two that are identical in shape and size. Her arms were ringing for days after the final planishing!

St. Thaddeus Episcopal Church Aiken SC historic sanctuary processional torches
Processional torches at St. Thaddeus Episcopal Church in Aiken, SC

The numerous right angles in all components of the torches was also a very difficult technical challenge. Each part when put together has to fit and stand up at a perfect right angle and they had to be the exact same height for the dishes to match up, so attention to detail was of the upmost importance. The candleholder, stem, and base components all come apart for easy cleaning, polishing, and future repair if needed. Kaminer, Michael, and Celia thought through carefully how all the elements would work together not only aesthetically, but also technically.

The end result is not only stunning visually, but includes symbolic significance to commemorate and celebrate the life of an incredible individual, Bishop Daly Pope Garnett, in a church he loved dearly.

Bishop Daly Pope Garnett
Bishop Daly Pope Garnett with his wife Katie,
daughter Graceyn, and son Thaddeus

Silver and Indigo Charleston Exhibition Lecture – September 8, 2018

silver and indigo

 

Interwoven: The Art of Indigo and Silver Exhibition Lecture

Saturday, September 8 at 2pm

Works by Kaminer Haislip, Leigh Magar, and Jack Alterman

Curated by Brandy S. Culp

August 25, 2018 – October 7, 2018

City Gallery
34 Prioleau Street
Charleston, South Carolina

The City of Charleston Office of Cultural Affairs presents Interwoven: The Art of Indigo and Silver, on view at City Gallery through October 7, 2018. This exhibition features approximately 60 works by three contemporary Lowcountry artists who explore indigo and silver as both conceptual inspiration and materials of handicraft. Silversmith Kaminer Haislip, textile designer Leigh Magar, and photographer Jack Alterman exhibit independent pieces as well as collaborative installations in media ranging from silver hollowware, flatware and jewelry to textile art, portraiture, and photography. The exhibition was curated by Brandy S. Culp, Richard Koopman Curator of Decorative Arts at the Wadsworth Atheneum in Hartford, Connecticut, who has worked closely with these artists over a two-year period.

An artists’ talk will be held at City Gallery on Saturday, September 8 at 2 p.m. Both the gallery and lecture are free and open to the public.

Charleston Magazine – September 2018

Charleston Magazine interviewed silversmith Kaminer Haislip about the collaborative exhibition Interwoven: The Art of Indigo and Silver, which includes her, textile artist Leigh Magar, photographer Jack Alterman, and curator Brandy Culp. Maura Hogan wrote the lovely complimentary Charleston Magazine article below. The exhibition will be on display at the City Gallery in historic downtown Charleston, SC August 25-October 7, 2018. An artist lecture will take place Saturday, September 8 at 2pm.

Visit Kaminer’s website Blog for details.

 

charleston magazine september 2018

 

charleston magazine september 2018 cover

Forging Ahead

By Maura Hogan

Kaminer Haislip was more or less born with a silver spoon in her mouth. “We always had a set of silver for every day,” she recalls of her childhood in Aiken. It’s no wonder she now creates functional works of art in the precious metal—from sleek pitchers to delicate jewelry. After she earned her MFA in silversmithing from Winthrop University in 2005, stylish Southerners began seeking Haislip’s striking pieces; among them was Reese Witherspoon, whose lifestyle brand, Draper James, included her “Magnolia Bowl” in its inaugural 2015 collection. Haislip’s latest project is an exhibit at the City Gallery, “Interwoven: The Art of Indigo & Silver,” guest curated by Brandy S. Culp, which displays her work alongside that of photographer Jack Alterman and textile artist Leigh Magar.

Early inspiration: I grew up in my family’s hardware and appliance business. Being around all of the tools and equipment showed me that working with my hands could be a career. I became interested in metalsmithing in high school when I saw the metal sculptures at the Hirshhorn Museum in Washington, DC.

Artistic aesthetic: My work is clean, fluid, and modern. I like the traditions of silver, but I try to design within my own time and not just replicate the pieces my grandparents had.

On the process: I make everything entirely by hand through almost the same techniques as colonial silversmiths. Fortunately for me, technology has advanced—I have rolling mills for silver sheet, compressed gas for my torch, and polishing machines for buffing.

 

silversmith Kaminer Haislip

Silversmith Kaminer Haislip’s elegant-but-practical works are on display in a new City Gallery exhibit

Hidden meanings: Most of my pieces have an underlying concept. My “Nest Bowl,” made of woven sterling silver wire, stems from the idea that how one builds a home by selecting objects is similar to how a bird collects things like twigs and branches for a nest.

Creating a home: My home décor is very eclectic—everything from midcentury vintage and antique pieces my husband and I have inherited to Michael Moran furniture. Contemporary art rules the walls, but we collect from all craft media and periods.

“Interwoven”: Indigo and silver were integral to Charleston’s early economy. Indigo crops generated wealth, and silver was a literal display of that capital. While Leigh and I are both inspired by our mediums’ historical significance, our work is very contemporary in form. Jack’s photos explore indigo and silver through portraits of other local artists who are also influenced by the materials.

Exhibit highlight: Leigh and I collaborated on an installation inspired by the silhouette and the miniature, both traditional Lowcountry art forms. I made three silver oval frames, and Leigh created silhouette-inspired indigo textile portraits to go inside.

To see the full feature, visit http://charlestonmag.com/features/forging_ahead

American Craft Magazine – August/September 2018

American Craft magazine highlighted in their August/September issue Interwoven: The Art of Indigo and Silver, the collaborative exhibition that includes artists Kaminer Haislip, Leigh Magar, Jack Alterman, and curator Brandy Culp. The exhibition will be on display at the City Gallery in historic downtown Charleston, SC August 25-October 7, 2018. Visit Kaminer’s website Blog for details.

american craft magazine

american craft magazine

Silver Magazine – July/August 2018

Silver Magazine highlighted in their July/August issue Interwoven: The Art of Indigo and Silver, the collaborative exhibition that includes artists Kaminer Haislip, Leigh Magar, Jack Alterman, and curator Brandy Culp. Silversmith Kaminer Haislip’s handcrafted silver pitcher was the feature image on the far right side of the second image below.

The exhibition will be on display at the City Gallery in historic downtown Charleston, SC August 25-October 7, 2018. Visit Kaminer’s website Blog for details.

silver magazine

silver magazine feature

Luxury Simplified Lecture – November 2016

Wednesday, November 2, 2016 contemporary silversmith Kaminer Haislip and curator and historian Brandy Culp presented “A Sterling Opportunity” at Luxury Simplified’s headquarters The Peter Bocquet House located at 95 Broad Street in historic downtown Charleston, SC. The informative and fun event was hosted by Holly Roberson, Heyward Hamilton, and Luxury Simplified. Brandy discussed the history of 18th and 19th century silver and Kaminer shared her contemporary silver designs with the guests. It was a lively and interesting lecture and the attendees had really great questions. The guests’ enthusiasm was much appreciated and it was a wonderful collaboration!

Many thanks to Holly Roberson, Heyward Hamilton, and Luxury Simplified for hosting the event at Luxury Simplified’s stunning location!

http://www.luxurysimplified.com/

Silver Showing with The Charleston Silver Lady – November 2016

Dawn Corley, also known as The Charleston Silver Lady, is an antiques historian and expert on silver. She will have a special showing of Kaminer Haislip’s contemporary silver objects and jewelry at her Lexington, SC location on Thursday, November 17, 2016. The event will take place from 4pm-7pm that day.

In addition to Kaminer’s work, she will have on display antique objects and silver pieces from her own private collection.

The event will be hosted at 212 East Main Street, Lexington, SC 29072. Please use the side door as a private entrance. Parking is available for guests in a parking garage across the street as well as at a BB&T bank next door.

Southern Home Magazine – Holiday 2016 Issue

silver holiday gifts

silver holiday gifts

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