Helena Fox Fine Art Open House – November 13 & 14, 2020

helena fox fine art

Open House with Charleston Silversmith Kaminer Haislip

CHARLESTON, S.C. November 13th and 14th —Helena Fox Fine Art is pleased to announce Open House with Charleston Silversmith Kaminer Haislip

Drop in from 12-4pm on Friday or Saturday to meet the artist and shop her collection.

helena fox fine art

Oyster Jewelry by Kaminer Haislip

A native of South Carolina, Kaminer Haislip grew up in her family’s hardware and appliance business in Aiken. From there she followed her dream of working with fire and metal. After graduating with a MFA from Winthrop University, Ms. Haislip made her way to Charleston, in her words ‘my process is directly tied to the city’s immense craft traditions. As a silversmith working in Charleston, I am carrying on the legacy of the city’s rich history by employing techniques that have been used for centuries.’ And she is the only female silversmith practicing in Charleston today.

This year has been a bit different for all of us, and we couldn’t be more excited to welcome you all back to the gallery for an event! We will be featuring Kaminer’s new Christmas ornaments and table ware along with her much loved oyster series of jewelry. Early enough to be thinking about gift giving as well as time to get your gifts engraved if you are interested.

We will be offering a few private appointments before and after our regular gallery hours for anyone interested. If you have a group of friends that may want to come in together, we recommend this option.

Join us for what we think will be a great start to the shopping season!

Helena Fox Fine Art

106A Church Street

Charleston, SC 29401

843-723-0073

www.helenafoxfineart.com

Contact Carolyn at gallery@helenafoxfineart.com

Garden & Gun – February/March 2020

garden & gun charleston sc anniversary issue arts in charleston

Garden & Gun – February/March 2020

The Arts in Charleston Then and Now by Sandy Lang

…take a casual art walk to collector-worthy galleries within steps of one another. The George Gallery houses work from a number of modern artists, including the abstract expressionist William Halsey, the Halsey Institute’s namesake and a pioneer in the Southeast, while at Helena Fox Fine Art, you can take in Savannah native West Fraser’s panoramic Lowcountry landscapes and the oyster-shaped links of necklaces by Charleston silversmith Kaminer Haislip. A few doors down sits Dog & Horse Fine Art, where gallery owner Jaynie Milligan Spector curates (not surprisingly) an array of canine- and equine-themed work. You can even commission a portrait miniature of a beloved spaniel or pointer, in a style reminiscent of those centuries-old human portraits at the Gibbes, to be incorporated into a pendant or a bracelet….

To read the full Garden & Gun article featuring all the best of the arts in Charleston visit https://gardenandgun.com/articles/the-arts-in-charleston-then-and-now/?fbclid=IwAR1MoUGL3z-z-f6kuhk-gMx1IvZz_462zT6pVDit5097iz8AoxYYvwHaDs0

The Post and Courier Holiday Gift Guide 2019

post and courier newspaper charleston sc

The Post and Courier Holiday Gift Guide 2019

Need inspiration for holiday gifts? Leave it to the pros: Charleston artists

By Maura Hogan

December 7, 2019

Artistic metal

Silversmith Kaminer Haislip’s jewelry also reflects beautifully on Lowcountry culture. Her artful, modern lines lend a new, fluid twist to Charleston’s favorite bivalve, by way of her sterling silver Oyster Series. From single-shell earrings to luxe linked bracelets, from lustrous cuff links to dreamy dishes, the works join the organic and the minimal to stunning, silvery effect. Prices vary. For more information, visit kaminerhaislip.com

To read the entire holiday gift guide article visit https://www.postandcourier.com/columnists/need-inspiration-for-holiday-gifts-leave-it-to-the-pros/article_6203da7c-16aa-11ea-8dcf-07058c2e613e.html

To shop Kaminer Haislip’s entire silver Oyster Series collection visit https://www.kaminerhaislip.com/store/

Classically Contemporary – Helena Fox Fine Art – November 1, 2019

helena fox fine art
helena fox fine art gallery historic charleston sc classically contemporary
Silver Oyster Jewelry by Kaminer Haislip

Classically Contemporary—Where classic techniques and contemporary ideals meet

CHARLESTON, S.C. November 1, 2019—Helena Fox Fine Art is pleased to announce Classically Contemporary featuring artist Julyan Davis and silversmith Kaminer Haislip.

Opening reception during the First Friday Artwalk on November 1 from 5-8pm.

At the intersection of classic techniques and contemporary ideals we find artists Julyan Davis and Kaminer Haislip. Trained in centuries old techniques these two artist draw from their traditional art educations to create pieces which feel both classic and contemporary. From Julyan’s John Constable like paintings of the clouds over the Southern coast to Kaminer’s Georg Jensen like interpretation of the familiar oyster shell, these artists live and breath the history of their chosen mediums.

In his own words, Julyan Davis paints ‘for storytellers—novelists, songwriters, poets. I also paint for those who love history. There has always been a narrative thread in my work. Even when a scene was notably empty of incident, I have strived for a sense that something vital happened here, or that something will.’ The new body of work he will present for our November show continues his movement from strict plein air interpretation towards a more cerebral interpretations—a continuation of the stories told and re-told.

A true master silversmith, Kaminer Haislip studied her craft under internationally acclaimed English silversmith Alfred Ward. She knows historic and modern silver techniques and uses that knowledge to meld form and function into enchanting coffee pots which look as thought they could take flight at any moment or a functional yet funky appetizer fork—or as my momma would have called it a pickle fork. Her work is not only meant to be admired for its shape and beauty but it’s usefulness. For this show we will be highlighting her home collection as well as the oyster collection.

Join us Friday November 1, 2019 between 5-8pm to meet the artists and admire their new work.

Helena Fox Fine Art

106A Church Street

Charleston, SC 29401

843-723-0073

www.helenafoxfineart.com

Art Mag – Summer 2019

Art Mag Charleston art silversmith visual arts magazine
Art Mag
Summer Issue 2019

Art Mag, a publication publication focused on the arts in Charleston, SC, highlighted Kaminer Haislip’s silver hollowware vessel Gradual Erosion being included in the international silver exhibition Schoonhoven Silver Award. To learn more about this exhibition, visit the Blog on this website. Many thanks to Art Mag for such a lovely interview and feature!

SCHOONHOVEN SILVER AWARD

by Emily Reyna

silver vessel hollowware contemporary silver vase
Gradual Erosion by Kaminer Haislip

Charleston makes its way across the pond to Europe where local artist and silversmith Kaminer Haislip will exhibit her silver vessel, Gradual Erosion.

“It was an incredible honor to have my silver vessel, Gradual Erosion, selected for the international Schoonhoven Silver Award. The opportunity to share my silver work with a European audience in both Schoonhoven, The Netherlands and Freiberg, Germany is very much appreciated,” says Haislip. “It’s the second time my silver hollowware has been exhibited in this special silver exhibition, and it’s a wonderful compliment.”

silversmith Kaminer Haislip artist studio Charleston, SC
Kaminer Haislip in her Charleston silversmithing studio

The piece’s name is inspiration by natural erosion. “The vessel form was based on a mountain shape and the etched surface lines are my own artistic interpretation of the gradual linear disintegration. The erosion begins at the base of the vessel, so the center line is tapered in to portray the slow breakdown of the mountain over time. The concept of erosion relates to the passing of time, what is lost, and what is taken away,” Haislip explains.

Technique and craft are central to Haislip’s creative process when working with fine metals. “I crafted the vessel by fabricating sterling silver sheet, which was hammered over five different cast iron stakes to create the asymmetrical shape,” describes Haislip. “The linear surface design was drawn by hand and etched with nitric acid to create the erosion inspired texture. All aspects of the construction were done entirely by hand utilizing traditional silversmithing techniques.”

Gradual Erosion will be on view at the City and Mining Museum in Freiberg, Germany from June 29 – October 2019.

Visit Art Mag at the link below for this article and many more exciting articles about the arts in Charleston!

Helena Fox Fine Art – March 1, 2019

helena fox fine art
Helena Fox Fine Art gallery downtown Charleston South of Broad

Helena Fox Fine Art welcomes Charleston Silversmith Kaminer Haislip

CHARLESTON, SC, March 1, 2019 – – Helena Fox Fine Art, LLC is pleased to welcome Kaminer Haislip, Silversmith to the gallery.

We are thrilled to announce that silversmith Kaminer Haislip will be joining our gallery in March. Join us on Friday March 1, 2019 to welcome Silversmith Kaminer Haislip to the gallery—artist reception from 5-8pm during the Charleston Gallery Association spring artwalk.

Ms. Haislip’s work expands our idea of what can be done with sterling silver. Using basically the same techniques as colonial silversmiths Kaminer creates sleek and sculptural objects for the home as well as sophisticated jewelry. Many of her pieces have hidden meanings—such as the ‘nest bowl.’ In the object you see the layering of larger and smaller sterling wires that intertwine to create a bowl shape, much like you might see in a birds nest. Many of her designs are modern interpretations of the world around us, such as her ‘Oyster’ series of jewelry which echoes the familiar shape of an oyster shell in sterling wire. 

‘I like silversmithing,” Kaminer explains, “because it is midway between sculpture and jewelry.” Laughing she adds, “although my parents wanted me to make jewelry since it was more practical as a career.” After earning her MFA in silversmithing from Winthrop University in 2005, Southern tastemakers began seeking her out for her striking pieces. Among them Southern sweetheart and founder of lifestyle brand Draper James, Reese Witherspoon. She found Ms. Haislip through the Garden and Gun Made in the South awards where Ms. Haislip was a runner up in the overall home wares division in 2012.

Join us on March 1st and give our newest artist a warm welcome. Jewelry and home objects will be on display with a larger selection available through Saturday March 2nd.

Helena Fox Fine Art

106A Church Street

Charleston, SC 29401

843-723-0073

www.helenafoxfineart.com

Charleston Magazine – September 2018

Charleston Magazine interviewed silversmith Kaminer Haislip about the collaborative exhibition Interwoven: The Art of Indigo and Silver, which includes her, textile artist Leigh Magar, photographer Jack Alterman, and curator Brandy Culp. Maura Hogan wrote the lovely complimentary Charleston Magazine article below. The exhibition will be on display at the City Gallery in historic downtown Charleston, SC August 25-October 7, 2018. An artist lecture will take place Saturday, September 8 at 2pm.

Visit Kaminer’s website Blog for details.

 

charleston magazine september 2018

 

charleston magazine september 2018 cover

Forging Ahead

By Maura Hogan

Kaminer Haislip was more or less born with a silver spoon in her mouth. “We always had a set of silver for every day,” she recalls of her childhood in Aiken. It’s no wonder she now creates functional works of art in the precious metal—from sleek pitchers to delicate jewelry. After she earned her MFA in silversmithing from Winthrop University in 2005, stylish Southerners began seeking Haislip’s striking pieces; among them was Reese Witherspoon, whose lifestyle brand, Draper James, included her “Magnolia Bowl” in its inaugural 2015 collection. Haislip’s latest project is an exhibit at the City Gallery, “Interwoven: The Art of Indigo & Silver,” guest curated by Brandy S. Culp, which displays her work alongside that of photographer Jack Alterman and textile artist Leigh Magar.

Early inspiration: I grew up in my family’s hardware and appliance business. Being around all of the tools and equipment showed me that working with my hands could be a career. I became interested in metalsmithing in high school when I saw the metal sculptures at the Hirshhorn Museum in Washington, DC.

Artistic aesthetic: My work is clean, fluid, and modern. I like the traditions of silver, but I try to design within my own time and not just replicate the pieces my grandparents had.

On the process: I make everything entirely by hand through almost the same techniques as colonial silversmiths. Fortunately for me, technology has advanced—I have rolling mills for silver sheet, compressed gas for my torch, and polishing machines for buffing.

 

silversmith Kaminer Haislip

Silversmith Kaminer Haislip’s elegant-but-practical works are on display in a new City Gallery exhibit

Hidden meanings: Most of my pieces have an underlying concept. My “Nest Bowl,” made of woven sterling silver wire, stems from the idea that how one builds a home by selecting objects is similar to how a bird collects things like twigs and branches for a nest.

Creating a home: My home décor is very eclectic—everything from midcentury vintage and antique pieces my husband and I have inherited to Michael Moran furniture. Contemporary art rules the walls, but we collect from all craft media and periods.

“Interwoven”: Indigo and silver were integral to Charleston’s early economy. Indigo crops generated wealth, and silver was a literal display of that capital. While Leigh and I are both inspired by our mediums’ historical significance, our work is very contemporary in form. Jack’s photos explore indigo and silver through portraits of other local artists who are also influenced by the materials.

Exhibit highlight: Leigh and I collaborated on an installation inspired by the silhouette and the miniature, both traditional Lowcountry art forms. I made three silver oval frames, and Leigh created silhouette-inspired indigo textile portraits to go inside.

To see the full feature, visit http://charlestonmag.com/features/forging_ahead

Charleston City Paper – August 2018

Charleston City Paper featured on August 15, 2018 Interwoven: The Art of Indigo and Silver, the collaborative exhibition that includes artists Kaminer Haislip, Leigh Magar, Jack Alterman, and curator Brandy Culp. Chase Quinn wrote the wonderful Charleston City Paper article below. The exhibition will be on display at the City Gallery in historic downtown Charleston, SC August 25-October 7, 2018. Visit Kaminer’s website Blog for details.

charleston city paper

Making the past present at City Gallery’s Interwoven exhibit

All That Glitters

By Chase Quinn

silver and indigo baskets

 

As Southern Living extolls, “The Good Silver is a Southern stalwart.” Indeed, one automatically pictures immaculate tea sets and monogrammed flatware passed down generation after generation, of the sort you might find on display at the Charleston Museum. On the other side of the silver coin, there’s the stock and lash of chattel slavery, required to extract the indigo that lined the pockets of wealthy planters and set the table, so to speak, for standards of wealth and culture.

It’s a history of which Brandy S. Culp, the Richard Koopman Curator of Decorative Arts at the Wadsworth Atheneum in Hartford, Conn. and guest curator of the City Gallery’s upcoming exhibit Interwoven: The Art of Indigo and Silver, is well aware. The exhibit, she explains, is “ultimately about layers of history and meaning, and how we find meaning in materials.” The show will feature three artists heavily influenced by Charleston history and culture including silversmith Kaminer Haislip, textile designer Leigh Magar, and photographer Jack Alterman.

The project began two years ago when Haislip, one of the few formally-trained silversmiths practicing in Charleston, and Magar, known for her “seed to stitch” project, which takes indigo grown in her own garden and uses it to create hand-dyed and hand-stitched garments and goods, approached Culp.

“They wanted me to guest curate this exhibit, so we started with discussions of silver and indigo and how they related.”

With her rich background in the history of decorative arts, Culp explains that indigo and silver were both highly prized as raw materials throughout the ages, globally traded as commodities, and historically transformed by artisans into objects of desire.

“There’s a lot of commonality between these two as raw materials,” she says, “So what these artists have done is they are looking at these two transformative and symbolically imbued mediums and exploring how people actually shaped resources that, in turn, influenced society.”

In fact, it is South Carolina’s own Eliza Lucas Pinckney, the 16-year-old daughter of a wealthy planter, who is credited with first introducing and successfully cultivating indigo in the American colonies in 1742. Long before the ubiquity of today’s blue jeans, at the time, indigo dye was rare and expensive. Like silver, it was a symbol of status and wealth. In the two decades after its introduction, indigo would become one of the colony’s largest exports, second only to rice. That also led to a spike in the importation of enslaved labor to carry out the challenging and time-intensive process of extracting the dye, which could involve pounding the plant for up to 20 hours.

The title of the show, Interwoven, however, refers not only to this shared history and symbolism, but also to how the past and present are worked into the artists’ contemporary interpretations of these mediums. Culp explains, for example, that while Magar and Haislip have collaborated on a number of pieces for the exhibit that meld the elements of indigo and silver, they will also be displaying individual works. For Haislip, that means giving visitors, far removed from the processes of metalwork, the experience of how she forms and forges her pieces, which, while heavily influenced by tradition, are completely contemporary in their design.

“In today’s society, so many people look at her work and think that it must be cast, or that it’s fabricated,” says Culp. “She is a traditional silversmith still using a lot of the tools and the processes that people have been using for hundreds of years.”

Alterman, a Charleston native perhaps best known for his diverse portraits that capture the city’s many faces, was brought in to tie the whole story together. Through his photography, he will not only document the work on display, but will also have a series of portraits of other local artisans directly or indirectly connected to the craftmanship of indigo and silver.

In addition to the label copy that will provide some historical context for the role Africans and African Americans played in the production of indigo and silver, Culp indicates that Alterman’s contribution is also important because his portraits showcase contemporary African-American artists working in or connected to these mediums as well, including Jonathan Green and Arianne King Comer.

“This exhibit is not a comprehensive look at the subject of indigo and silver,” she acknowledges. “It’s a very specific look at these materials through the eyes of three artists. There are so many talented people that are both metalworkers and textile artists involved in indigo.”

To get a full picture of this interweaving narrative, Culp also recommends that audiences attend the artist talk, which will take place on Sept. 8 at 2 p.m., where the exhibitors will be on hand to discuss the most important stories in their work and to take audience questions.

Charleston Magazine – August 2018

Charleston Magazine highlighted in their August issue Interwoven: The Art of Indigo and Silver, the collaborative exhibition that includes artists Kaminer Haislip, Leigh Magar, Jack Alterman, and curator Brandy Culp. The exhibition will be on display at the City Gallery in historic downtown Charleston, SC August 25-October 7, 2018. Visit Kaminer’s website Blog for details.

charleston magazine august 2018

charleston magazine august 2018

American Craft Magazine – August/September 2018

American Craft magazine highlighted in their August/September issue Interwoven: The Art of Indigo and Silver, the collaborative exhibition that includes artists Kaminer Haislip, Leigh Magar, Jack Alterman, and curator Brandy Culp. The exhibition will be on display at the City Gallery in historic downtown Charleston, SC August 25-October 7, 2018. Visit Kaminer’s website Blog for details.

american craft magazine

american craft magazine