Posts

Silversmithing Workshop at American College of the Building Arts

american college of the building arts charleston sc
american college of the building arts charleston sc silversmithing class
American College of the Building Arts
649 Meeting Street – Charleston, SC 29403

Silversmithing Workshop at American College of the Building Arts

American College of the Building Arts is hosting a week-long celebration with current women artisan and craftsmen that are masters in their fields. They will be conducting workshops, demonstrations, and a panel discussion. These courses are open to both students and the public.

As part of this special “Women in Trades Week”, Kaminer Haislip has been invited to teach a silversmithing workshop Monday, January 13 – Thursday, January 16. The class will focus on traditional silversmithing techniques with fabrication and forming as the main topics. Each student will make a round silver box like the shorter one below by Kaminer Haislip. The class description and details are below. Contact the American College of the Building Arts to sign up for this exciting workshop and rare chance to learn from Kaminer.

silver box fabricated silver silversmithing class birds singing chorus
Chorus – Silver
by Kaminer Haislip

Introduction to Silversmithing

January 13 – 16

Tuition: $550

Learn basic silversmithing techniques with this beginner’s class that does not require experience. The centuries old method of forming and fabricating sheet silver to create objects will be the focus of this week long course. Traditional silversmith hollowing, hammering, forming, and fabrication techniques will be taught in order to create a silver box. Additional beginner’s techniques will be explored through piercing, filing, soldering, and finishing.

Professor: Kaminer Haislip

Kaminer Haislip, originally from Aiken, SC, earned her BFA in Jewelry and Metals and MFA in Silversmithing from Winthrop University where she studied under Alfred Ward, an internationally acclaimed English silversmith. Kaminer designs and creates functional objects and jewelry in her Charleston studio. In addition to her work as an artist, she is frequently commissioned to create custom designs in silver and gold. Her award-winning work has been exhibited nationally and internationally and featured in over sixty publications.

For more information or to register for the class visit https://acba.edu/wintercourses

Charleston Silver Lecture

American College of the Building Arts silver lecture
Brandy Culp at the American College of the Building Arts
American College of the Building Arts silver lecture
Kaminer Haislip at the American College of the Building Arts

Charleston Silver Lecture by Brandy Culp and Kaminer Haislip

Brandy Culp, the Richard Koopman Curator of American Decorative Arts at the Wadsworth Atheneum, and I have recently given several lecture presentations on Charleston silver, so I was inspired to write a blog post discussing our unique collaboration. We have presented to private organizations and groups and last week we gave a lecture on Charleston silver for the American College of the Building Arts. The pictures in this post are from that event.

Kaminer Haislip and Brandy Culp at their Charleston silver lecture
Kaminer Haislip and Brandy Culp at their Charleston silver lecture

When Brandy and I collaborate on a Charleston silver lecture, we begin with her discussing colonial Charleston history and silversmithing. She is an expert in the decorative arts field and in particular metalwork. Brandy earned her Master of Arts degree with an emphasis in American decorative arts from the Bard Graduate Center. There she completed her thesis on the 18th century Charleston silversmith Alexander Petrie and the Carolina silver trade. The topic of metalwork remains one of her greatest interests, and she is currently working on a permanent exhibition of the Wadsworth’s English and American silver collections.

American College of the Building Arts Charleston silver lecture
Lecture attendees looking at Kaminer Haislip’s silversmithing tools, silver objects in progress, and finished silver items

Brandy ties my contemporary silversmithing brilliantly to historic forms and processes. I discuss in detail how I design and create my original, silver designs and use tools and in progress silver items to illustrate the relationship between my silversmithing techniques and past silversmith practices. Additionally, I bring a selection of finished silver hollowware, flatware, and jewelry for attendees to see in person during the lecture and up close after our slide presentation is over.

American College of the Building Arts Charleston silver lecture
Brandy Culp with lecture guests

We always save time for a question and answer session at the end of our lecture and spend time with guests after the event to take additional questions and socialize.

American College of the Building Arts Charleston silver lecture
John Paul Huguley and Kaminer Haislip after the lecture
American College of the Building Arts Charleston silver lecture
Brandy Culp with guests after the lecture

Brandy and I both are incredibly passionate about silver and very much enjoy sharing our silver knowledge. The combination of her historic metalwork expertise and my contemporary silver designs has been extremely well received each time we have done a presentation. If you are interested in having us speak to your group, organization, or college, then please email me at kaminer@kaminerhaislip.com. I can provide details, fees, and press material.

Thank you for your interest in silver!

Charleston Silversmithing, Traditions from Past to Present Lecture – March 7, 2019

Denis Diderot 1765 colonial silversmithing workshop
Charleston silversmith Kaminer Haislip

Charleston Silversmithing Lecture at American College of the Building Arts

Thursday, March 7 at 6pm

Brandy S. Culp, Richard Koopman Curator of American Decorative Arts at the Wadsworth Atheneum, and I will give a lecture presentation titled Charleston Silversmithing, Traditions from Past to Present at the American College of the Building Arts in Charleston, SC about colonial Charleston silversmithing and how my contemporary silversmithing relates to it.

It is open to the public, but seating is limited and reservations can be made by emailing handall@acba.edu. There is no admissions fee for attending the lecture, however you may reserve a seat ahead of time by making a donation of any size that is meaningful to you. Included with your reservation is an invitation to meet the speakers at a private reception following the presentation. Without a reservation, seating will be on a first-come, first-served basis.

Lecture Description:

In the eighteenth century, Charleston’s favorable economic circumstances spurred a healthy luxury goods market, especially the precious metal trades. Through the centuries, the tradition of creating and collecting metalwork has continued in the Carolina Lowcountry. Brandy S. Culp, Richard Koopman Curator of American Decorative Arts at the Wadsworth Atheneum, will explore how the Holy City’s talented silversmiths and jewelers reflected the global exchange of ideas, people, and goods in early America. Ms. Culp will be joined by Kaminer Haislip, a nationally renowned and formally-trained silversmith practicing in Charleston. Together they will discuss how many of the tools and techniques employed by silversmiths and jewelers have changed very little over the centuries. From the combined perspective of a design historian and practicing silversmith, Ms. Culp and Ms. Haislip will present a splendid array of metalwork highlighting examples of Lowcountry silver—past and present—found both locally and in collections outside of the South, including notable objects in the Wadsworth’s holdings.

Brandy S. Culp is the Richard Koopman Curator of American Decorative Arts at the Wadsworth Atheneum, America’s oldest continually-operating public art museum and stewards of a collection of over 50,000 artifacts spanning 5,000 years. There she has most recently curated the exhibitions, Simply Splendid: Rethinking American Design, Bed Furnishings in Early America, and Design in the American Home, 1650 to 1850. Prior to joining the Wadsworth, Culp served as Curator of Historic Charleston Foundation, leading projects for the conservation and interpretation of the Foundation’s collection of fine and decorative arts. Before that, Ms. Culp served as the Andrew W. Mellon Curatorial Fellow in the Department of American Art at the Art Institute of Chicago. She has also held positions at the Bard Graduate Center and the Metropolitan Museum of Art. Culp graduated summa cum laude from Hollins University and received her Master of Arts degree with an emphasis in American decorative arts from the Bard Graduate Center. There she completed her thesis on the 18th century Charleston silversmith Alexander Petrie and the Carolina silver trade. The topic of metalwork remains one of her greatest interests, and she is currently working on a permanent exhibition of the Wadsworth’s English and American silver collections.

A native of Aiken, South Carolina, Kaminer Haislip grew up in her family’s hardware store. Amidst the story-telling locals and tools for sale, she was inspired at a young age to create three-dimensional objects ranging from sculpture to jewelry. Haislip received both a BFA in jewelry and metals and an MFA in silversmithing, design, and sculpture from Winthrop University, where she studied under Alfred Ward, an internationally acclaimed English silversmith. After graduating in 2005, she moved to Charleston and established her studio. Nationally recognized for her craftsmanship, Haislip was most recently featured in the Museum of the City of New York’s exhibition Silver: Then and Now. Her handcrafted metalwork has been shown internationally and highlighted by numerous media outlets, including Antiques and Fine Art, Metalsmith, The Magazine Antiques, Traditional Home, Elle DĂ©cor, Garden & Gun, Southern Living, Charleston Magazine, and Handcrafted America. Haislip has also collaborated with Reese Witherspoon’s southern lifestyle company, Draper James, to create exclusive objects that reflect the South’s rich metalworking history.

Inspired by Charleston’s extensive silversmithing tradition, Haislip is dedicated to carrying forth that legacy. Hand-forging her flatware, hollowware, and jewelry, she uses the very tools and techniques employed by silversmiths for centuries, yet her metalwork reflects her unique approach to contemporary design.

American College of the Building Arts
649 Meeting Street
Community Room
Charleston, SC 29403
http://www.acba.edu